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The Boy (2015)

THE BOY
The Horror Movie

Additional.
The Boy is a 2015 American horror film directed by Craig Macneill, written by Macneill and Clay McLeod Chapman, and starring David Morse, Rainn Wilson, and Jared Breeze. 
It was based on a short film by Macneill and Chapman, Henley, which was in turn loosely inspired by a novel written by Chapman, Miss Corpus. 
Breeze plays the titular boy, a budding serial killer
_____________________
______________________
Directed by: Craig Macneill
Produced by: Daniel Noah, Josh C. Waller, Elijah Wood
Written by: Craig Macneill, Clay McLeod Chapman
Starring: Jared Breeze, Rainn Wilson, David Morse
Music by: Hauschka
Cinematography: Noah Greenberg
Edited by: Craig Macneill
Production company: SpectreVision, Chiller Films
Distributed by: Chiller Films
Release date:
March 14, 2015 (SXSW)
August 14, 2015 (US)
Running time: 1h 45m
Country: United States
Language : English


Cast.
David Morse as John Henley
Rainn Wilson as William Colby
Jared Breeze as Ted Henley
Bill Sage as the Sheriff
Mike Vogel
Zuleikha Robinson
Aiden Lovekamp as Ben
David Valencia as Marcus

Reception.
Rotten Tomatoes, a review aggregator, reports that 61% of 18 surveyed critics gave it a positive review; the average rating is 5.6/10.
Metacritic rated it 45/100 based on reviews from eight critics.
Deanna James of The Lineup named The Boy as of of the scariest moves of 2015. 
Emily Buder of Indiewire wrote that The Boy was one of the 13 most criminally overlooked indie and foreign films of 2015.
Ken W. Hanley at Fangoria included The Boy in the top 10 horror films of 2015.
HitFix included the film in their list of 14 great under the radar films of 2015.
Dennis Harvey of Variety wrote, "Though the body count is ultimately higher than in Psycho, seldom has a stay at a homicidal rural motel seemed quite so endless and dull as in The Boy."
Frank Scheck of The Hollywood Reporter wrote, 
"While it's admirable that director Macneill and his co-scripter Clay McLeod Chapman opted to emphasize mood and psychology over the story's more exploitable elements, it nonetheless results in a listless tedium that isn't helped by the overly long running time."
Andy Webster of the New York Times called it "a feature stunning to behold if somewhat unpersuasive in narrative".
Eric Kohn of Indiewire, rated it B+ and said that the film "maintains a gripping sense of atmospheric dread", though its "consistently grave tone sometimes threatens to suffocate the dramatic momentum". Scott Wampler of Badass Digest wrote, "It's great, it's creepy, it's got a jet-black third act that'll have you squirming in your seat, and just about everything – from the cast and the script to the set design and the cinematography – works."
Ain't It Cool News wrote, "But much like its protagonist, it is a unique little beast, and if you let the dark, broody tone suck you in, both the ride and the payoff should give you your 12 bucks worth."
Marjorie Baumgarten of The Austin Chronicle called it "more measured than the usual demon-child fare". Charlie Schmidlin of The Playlist wrote that film has "extremely effective" parts, but it plays into negative stereotypes of "slow burn" psychological dramas.
Carson Lund of Slant Magazine wrote, "Even if his talents tip the scales toward overstatement, Macneill has a command for composition and rhythm that belies his skinny résumé, and one can't help but be unnerved by Breeze's relentlessly deer-in-the-headlights performance as the sociopathic Ted." Dominick Suzanne-Mayer of Consequence of Sound rated it B− and wrote, 
"If the film itself slips a little too easily into the banality it’s chronicling at times, The Boy is sustained by the measured performances of the handful of wayward souls in its sparse, bleak world."
Drew Tinnin of Dread Central rated it 3/5 stars and wrote, 
"The slow start (and maybe a little of the middle) does pay off, however, with a conclusion that's shocking even after seeing what Ted’s already been up to." Samuel Zimmerman of Shock Till You Drop wrote, "Macneill's disinterest in making a traditional slasher, let alone an iconic one, ultimately ends up with one of the most memorable contemporary iterations."
Anton Bitel of Sight and Sound wrote, "An austere and chilling portrait of America's abandoned margins, The Boy is a slow-burner that builds and builds to its climactic conflagration, and offers a dark, disturbing flipside to Richard Linklater's Boyhood"

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Yakuza Apocalypse (2015)

YAKUZA APOCALYPSE
Action Fantasy Movie With Horror Genre Japanese

Additional.
Yakuza Apocalypse (極道大戦争 Gokudō Daisensō?) is a 2015 Japanese action fantasy yakuza vampire film directed by Takashi Miike and written by Yoshitaka Yamaguchi. 
It was released on 20 June 2015.
Stories.
When Kageyama is bitten by his dying vampire boss, he must get used to his new powers before seeking revenge.
_____________________
Directed by: Takashi Miike
Produced by: Yoshinori Chiba, Shin'ichirô Masuda, Shinjiro Nishimura, Misako Saka
Written by: Yoshitaka Yamaguchi
Starring: Hayato Ichihara, Yayan Ruhian, Riko Narumi
Music by: Kôji Endô
Cinematography: Hajime Kanda
Edited by: Kenji Yamashita
Production company: Django Film,Gambit, Happinet Corporation, OLM, Inc.
Distributed by: Nikkatsu
Release date: 21 May 2015 (Cannes), 20 June 2015
Running time: 2h 5m
Country: Japan
Language : Japanese, English
Box office: $12,756

Cast.
Hayato Ichihara as Akira Kageyama
Yayan Ruhian as Kyoken (狂犬) / Mad Dog
Riko Narumi as Kyōko Anan
Lily Franky as Genyō Kamiura
Reiko Takashima

Release.
Yakuza Apocalypse premiered at the 2015 Cannes Film Festival on 21 May 2015 before being commercially released in Japan on 20 June 2015.

Reception.
The film received mixed to positive reviews from critics. On Rotten Tomatoes, the film has a 58% rating, based on 31 reviews, with an average rating of 5.8/10. 
The site's consensus states: "Yakuza Apocalypse lives up to the oddball promise of its title with a cinematic whirlwind that represents director Takashi Miike at his most delightfully unhinged."
Metacritic reports a 62 out of 100 rating, based on 14 critics, indicating "generally favorable reviews"

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Ant-Man (2015)

ANT-MAN
Heroes Don't Get Any Bigger
 ( Action Movie Fantasy Genre )

Additional.
Ant-Man is a 2015 American superhero film based on the Marvel Comics characters of the same name: Scott Lang and Hank Pym. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the twelfth installment of the Marvel Cinematic Universe (MCU). 
The film was directed by Peyton Reed, with a screenplay by Edgar Wright & Joe Cornish and Adam McKay & Paul Rudd, and stars Rudd, Evangeline Lilly, Corey Stoll, Bobby Cannavale, Michael Peña, Tip "T.I." Harris, Anthony Mackie, Wood Harris, Judy Greer, David Dastmalchian, and Michael Douglas. In Ant-Man, Lang must help defend Dr. Pym's Ant-Man shrinking technology and plot a heist with worldwide ramifications.
Development of Ant-Man began in April 2006, with the hiring of Wright to direct and co-write with Cornish. By April 2011, Wright and Cornish had completed three drafts of the script and Wright shot test footage for the film in July 2012. Pre-production began in October 2013 after being put on hold so that Wright could complete The World's End. 
Casting began in December 2013, with the hiring of Rudd to play Lang. In May 2014, Wright left the project, citing creative differences, though he still received screenplay and story credits with Cornish, as well as an executive producer credit. 
The following month, Reed was brought in as Wright's replacement, while McKay was hired to contribute to the script with Rudd. Principal photography took place between August and December 2014 in San Francisco and Metro Atlanta.
Ant-Man held its world premiere in Los Angeles on June 29, 2015, and was released in North America on July 17, 2015, in 3D and IMAX 3D. Upon its release, the film received positive reviews and grossed more than $518 million worldwide. A sequel, titled Ant-Man and the Wasp, is scheduled to be released on July 6, 2018.

Story.
Forced out of his own company by former protégé Darren Cross, Dr. Hank Pym (Michael Douglas) recruits the talents of Scott Lang (Paul Rudd), a master thief just released from prison. Lang becomes Ant-Man, trained by Pym and armed with a suit that allows him to shrink in size, possess superhuman strength and control an army of ants. The miniature hero must use his new skills to prevent Cross, also known as Yellowjacket, from perfecting the same technology and using it as a weapon for evil.
______________________
Directed by: Peyton Reed
Produced by: Kevin Feige
Screenplay by: Edgar Wright, Joe Cornish, Adam McKay, Paul Rudd
Story by: Edgar Wright, Joe Cornish
Based on Ant-Man by: Stan Lee, Larry Lieber, Jack Kirby
Starring
Paul Rudd, Evangeline Lilly, Corey Stoll, Bobby Cannavale, Michael Peña
Tip "T.I." Harris, Anthony Mackie, Wood Harris, Judy Greer, 
David Dastmalchian, Michael Douglas
Music by: Christophe Beck
Cinematography: Russell Carpenter
Edited by: Dan Lebental, Colby Parker, Jr.
Production company: Marvel Studios
Distributed by: Walt Disney Studios, Motion Pictures
Release date:
July 16, 2015 (Indonesia)
June 29, 2015 (Dolby Theatre)
July 17, 2015 (North America)
Running time: 1h 57m
Country: United States
Language : English
Budget: $130 million
Box office: $518.6 million

FILMING
Reed at the world premiere of Ant-Man in Hollywood.
Principal photography began on August 18, 2014 in San Francisco, under the working title Bigfoot.
Scenes were shot in the Tenderloin neighborhood and Buena Vista Park.
By the end of September 2014, production on Ant-Man moved to Pinewood Atlanta Studios in Fayette County, Georgia, and David Callaham completed a rewrite of the film.
\Filming also took place at the State Archives building in Downtown Atlanta, to double as Pym Technologies, which is located on Treasure Island, San Francisco in the film.
In October 2014, Martin Donovan was added to the cast, and Feige revealed that Ant-Man would no longer start Phase Three of the Marvel Cinematic Universe and would instead be the final film of Phase Two. When told by /Film's Germain Lussier that this placement between Avengers: Age of Ultron and Captain America: Civil War made the film feel like an afterthought, Feige replied,
It's not [an after thought]. 
The truth is the phases mean a lot to me and some people but...Civil War is the start of Phase Three. It just is. And Ant-Man is a different kind of culmination of Phase Two because it very much is in the MCU. 
You meet new characters and you learn about Hank Pym and his lineage with the MCU over the years. But at the same time, it also picks up the thread of Age of Ultron in terms of heroes—major heroes, Avengers—coming from unexpected places... And in that way it connects a lot. Also, Hank Pym's attitude towards Avengers, towards S.H.I.E.L.D., 
and kind of the cinematic universe in general, is much more informed after the events of Age of Ultron, and in a certain way, before the events of Civil War.

Feige later expanded on this by saying, "We put Ant-Man at the end of Phase Two as opposed to the beginning of Phase Three, because it sets up a lot of the things you're going to see heading into Phase Three, one of which is this mind-bending, reality-altering landscape [in Doctor Strange].
On December 5, 2014, Reed announced on social media that principal photography on Ant-Man had been completed.
For the film, cinematographer Russell Carpenter used a 1.85 aspect ratio shot with Arri Alexa XT and M cameras, using the M for fight sequences and helicopter filming. Camera operator Peter Rosenfeld said, "Russell and Peyton's decision to shoot in 1.85 was a good call, since at 2.35 there's insufficient height in frame to appreciate the vertical aspects of [Ant-Man] going from standing full-size to falling through a crack in the floor." Carpenter and Technicolor also devised a lookup table (LUT) to darken the color palette. Carpenter said, "For a lot of recent comedies I've kept my LUTs kind of 'Kodak' – saturated and upbeat. But this show needed something different that affected skin tones and the Ant-Man suit, which dates back to the 1980s, so it looks a little run-down. What I loved about this LUT was how it allowed the costume to retain the color but took it from fire-engine red to something a little more weathered."

The filmmakers made extensive use of macro photography. 
Production designer Shepherd Frankel said, "It's more visually interesting to depict things from Ant-Man's point of view instead of seeing him from a normal perspective. But we wanted a realistic realization, not Honey, I Shrunk the Kids with its oversized set pieces."
Rebecca Baehler served as the director of macro photography, taking cues from Carpenter.
Carpenter said vibration became "a tremendous problem" when moving the camera during the macro photography because "one inch off the ground is like fifteen feet in the air. From an ant's perspective, you move four inches, to a human perspective, that's a football field!" The solution required the filmmakers to think outside of the box so they turned to Baehler, who had a background in "commercial 'tabletop' photography." 
In order to add Rudd's performance as Ant-Man when in the macro world a Centroid facial capture set up was used, with a 5-camera array of Alexas surrounding Rudd. Rosenfeld explained, 
"One camera was set up vertically while the others were horizontal with overlapping image areas, all set to record at 48 frames per second. This maximized resolution and provided 3D modeling [of] Paul's performance." 
Reed would then call out story moments with Rudd performing 
"facial expressions that would later be composited on a CG Ant-Man."


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Phantom (2015)

PHANTOM
_A Story You Wish Were True_
( Indian Action Movie Genre )

Additional.
Phantom is a 2015 Indian action thriller film directed by Kabir Khan, produced by Sajid Nadiadwala and Siddharth Roy Kapur, and starring Saif Ali Khan and Katrina Kaif in leading roles.
The screenplay of the film has been written in coordination with author Hussain Zaidi's book Mumbai Avengers on the aftermath of 26/11 Mumbai attacks.
The film was released worldwide on 28 August 2015

Stories Of Phantom
After a series of terror attacks on India, Daniyal is tasked with tracking down the masterminds in India, Europe, America and the Middle East. As he takes down the terrorists one by one, he learns the mission comes with a heavy personal cost.
________________
Directed by Kabir Khan
Produced by Sajid Nadiadwala, Siddharth Roy Kapur
Written by Kabir Khan, Kausar Munir
Screenplay by Kabir Khan, Parveez Shaikh
Story by Kabir Khan, Parveez Shaikh
Based on Mumbai Avengers  by Hussain Zaidi
Starring : Saif Ali Khan, Katrina Kaif
Music by Songs: Pritam
Background Score: Julius Packiam
Cinematography: Aseem Mishra
Edited by: Aarif Sheik
Production company:
Nadiadwala Grandson Entertainment
Distributed by: UTV Motion Pictures
Release date: 28 August 2015
Running time: 2h 15m
Country: India
Language: Hindi
Budget: ₹50 crore (US$7.5 million)
Box office: ₹63.24 crore (US$9.4 million)


Cast.
Saif Ali Khan as Daniyal khan
Katrina Kaif as Nawaz Mistry
Mir Sarwar as Sajid Mir
J. Brandon Hill as David Coleman Headley
Shahnawaz Pradhan as Hariz Saeed
Mohammed Zeeshan Ayyub as Samit, RAW officer
Sabyasachi Chakrabarty as Roy, RAW chief
Midat Sahab as Khalid (Restaurant owner in Lahore)
Qazi Touqeer in Afghan Jalebi song
Jameel Khan in Afghan Jalebi wedding song
Kaizaad Kotwal as Pakistan ambassador
Mukul Nag as Qureshi
Sohaila Kapur
Rajesh Tailang

FILMING
Filming began on October 2013 in Beirut, Lebanon. 
Around 10% of the film was shot in Lebanon in areas including downtown Beirut, the populous area of Khandaq al-Ghameeq, and the mountainous areas of Kfardebian, with the latter two representing Syria. The shoot of the film required a recreation of a Syrian refugee camp, which involved almost 400 locals to act as rebel militias. The sets of the film were so realistic that many people in the area believed actual militia groups had set up camp, and the Lebanese army began circling planes over the set. However the confusion was cleared after the first day.
Due to the country's recent political turmoil, security was provided to the crew.
In January 2014, action sequences were shot in Kashmir near Pahalgam hill station and in a ski resort in Gulmarg for five days. The scenes involved a blast sequence in the peak of winter, when the entire valley was covered in a 10-foot blanket of snow.
In March 2014, filming continued in a small town in Malerkotla, Punjab where the area was recreated to resemble a Pakistani marketplace. The entire area was dressed up to look authentic, complete with Urdu hoarding, posters and flags. 
The makers narrowed down Malerkotla due to its mosque, local people, narrow lanes and overall architecture, which creates the verisimilitude of a town from Pakistan.
In July 2014, filming resumed in London, United Kingdom near the Houses of Parliament on the banks of River Thames, Charing Cross station, 
The Oval cricket ground in Lambeth and Ealing road in Wembley. The next shooting schedule was done in various locations in Vancouver, Canada in August 2014 including the centre of West Hastings and Thurlow streets which involved several high-octane chase sequences.
In September 2014, the last schedule of the film was completed in Mumbai, with scenes being shot at the city's eastern ferry wharf, near the Gateway of India, and at Filmistan Studios in the suburb of Goregaon. An underwater action sequence has been shot by Saif Ali Khan and Katrina Kaif at the Orca Dive Club in Mumbai.

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